At first glance The Sublet would suggest we’re dealing with yet another film that relies on all the trappings we are more than accustomed to when it comes to musty and decrepit haunted house movies. Fortunately, John Ainslie’s directorial debut puts a stalwart spin on supernatural clichés by tapping into the intimidating terrors of postpartum depression, pushing baby blues to harrowing limits that will have you thinking twice and thrice about motherhood.
Review by Howard Gorman (@HowardGorman)